Jordan Waunch is a Vancouver based Métis performing artist, public speaker, and emerging filmmaker. A graduate of the British Columbia Institute of Technology's Film And Television Production Program, Jordan has gone on to build a career as a professional casting associate at the Vancouver based casting facility Studio 3 Media. In 2019, he directed the project Sisters Of Sorrow through StoryHive’s first ever Indigenous Storyteller Edition, created the Indigenous language documentary Seeking Our Stories which was supported by the Indigenous Screen Office and Netflix through their cultural mentorship program, and recently produced the Queer Indigenous horror film Terror/Forming. His upcoming directing project Shadow of the Rougarou is a limited series based on traditional Michif oral stories and is set for release in spring 2022 on APTN's streaming platform Lumi.
 

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.

Janine Steele is an experienced producer and administrator working at the intersection of arts, linear filmmaking and technology. Currently she is a Project Manager at Creative BC, overseeing the design and implementation of the $2 million Domestic Motion Picture Fund, including targeting funding for equity and emerging filmmakers, capacity building supports, production financing, and slate development programs.

Previously, Janine worked at the National Film Board of Canada where she produced or project managed pioneering interactive work, like Yesterday Today Tomorrow, Seven Digital Deadly Sins, Bear 71 and Welcome to Pine Point, earning accolades such as a Cannes Cyber Lion, FWA Site of the Year and several Webby Awards.